Arnold Whittall: ‘Measures of authenticity: the macrotonal music of Julian Anderson’
Leo Black: ‘A spirit awake:
Joseph Marx at 51’
Rodney Stenning Edgecombe: ‘The score of Giselle’
Matthias Range: ‘Handelian revisions? William Croft’s orchestrally accompanied Te Deum and
Jubilate’
Godwin Sadoh: ‘Ayo Bankole at 80’
Book reviews
Robert und Clara Schumann im Briefwechsel mit der Familie Mendelssohn
Felix Mendelssohn Bartholdy: Sämtliche Briefe
Peter Schleuning: Vom Kaffeehaus zum Fürstenhof: Johann Sebastian Bachs weltliche Kantaten
Eric Chafe: J.S. Bach’s Johannine theology: the St John Passion and the cantatas for Spring 1725
Patricia Howard: The modern castrato: Gaetano Guadagni and the coming of a new operatic age
Klára Móricz & Simon Morrison, edd.: Funeral games in honour of Arthur Vincent Lourié
Bob Gilmore: Claude Vivier: a composer’s life
Anastasia Belina-Johnson, ed.: A musician divided: André Tchaikovsky in his own words
Robert Spruytenburg: The LaSalle Quartet: conversations with Walter Levin
Paul Dawson-Bowling: The Wagner experience and its meaning to us
Katherine R. Syer: Wagner’s visions: poetry, politics, and the psyche in the operas through Die Walküre
Mark Berry: After Wagner: histories of modernist music drama from Parsifal to Nono
